This spatial installation is formed by the patterns that Lagos has been imprinting onto me: from its streets, its people, what they wear, what they sell, what they carry, and how they uniquely stage these with their individual patterns in the markets along the tracks. As one of the most common objects of Lagos’ daily life transfigures, the patterns continuously articulate themselves into the shed, acting as an element of nature, vegetating within Lagos’ anthropocenic landscape.